The Bells of Buddha Temple at Bangkok Mahantesh Navalkal (24 th Nov 1970- Present) Has baggage of credits into his so far career due to his distinguished realistic approach towards issues of farmers. Basically, he is from Raichur District of Karnataka and graduated in agriculture. His short story “The Bells of Buddha Temple at Bangkok” is titled symbolically and it represents the alarming condition of farmers and agriculture across the world and in days to come the conditions further accelerate. The major concern of the writer is how globalization has affected farmers across the globe. He further highlights how capitalism has won over the human senses. Capitalist ideology has also made man think in terms of profit and consider humans as commodities. The writers ten days trip to Thailand has been awarded by his company Jorky-Poshin Company, an MNC of repute and a glo...
Shades of Yellow My fascination with you never ends Every evening when I look up to you, The flaming red hade of yours has always a different story to tell That stare at you with naked eyes is always romantic You talk to me with authority and order me to gaze at you Certainly, you are bossy across the globe but I make you mine looking at you every day shades of yellow are beautiful.
My People ‘People’ in the title of the poem represents the Dalit community who have been oppressed by an oppressive social system in India. The poem highlights the miseries of the poet’s community. Hence, he describes the lives and his society through literature. This poem was published as Nanna Janagalu Mattu Itara Kavitegalu (My People and Other Poems) 2005. Siddalingaiah is the speaker of the poem. Dalits are the downtrodden community who have been socially marginalized, excluded, and exploited by the upper caste of the Indian social structure, and hence for ages, they have been deprived of basic education, health, and other social privileges. Siddalingaiah becomes important because he drew society’s attention to the plight of his people through his poetry which flamed a light and heat that was its own. But one of the Kannada cultural critics has called Siddalingaiah ‘the King of the exaggerated conceit.’ In this poem, the poet brings out themes of ‘resistance...
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